And
now a word about Breakages, Limited. The title Breakages, Limited, was
suggested to me by the fate of that remarkable genius, the late Alfred Warwick
Gattie…. I consented to investigate the alleged great invention in person on
Gattie's promising to behave like a reasonable being during the process, a
promise which he redeemed with the greatest dignity, remaining silent whilst an
engineer explained his miracles to me, and contenting himself with the reading
of a brief statement shewing that the adoption of his plan would release from
industry enough men to utterly overwhelm the Central Empires with whom we were
then at war. I approached the
investigation very sceptically. Our
friend spoke of "the works." I
could not believe that Gattie had any works, except in his fervid
imagination. He mentioned "the
company." That was more credible: anyone may form a company; but that it
had any resources seemed to me doubtful.
However, I suffered myself to be taken to Battersea; and there, sure
enough, I found a workshop, duly labelled as the premises of The New Transport
Company, Limited, and spacious enough to accommodate a double railway line with
a platform. The affair was
unquestionably real, so far. The
platform was not provided with a station: its sole equipment was a table with a
row of buttons on it for making electrical contacts. Each line of railway had
on it a truck with a steel lid. The
practical part of the proceedings began by placing an armchair on the lid of
one of the trucks and seating me in it.
A brimming glass of water was then set at my feet. I could not imagine what I was expected to do
with the water or what was going to happen; and there was a suggestion of
electrocution about the chair which made me nervous. Gattie then sat down majestically at the
table on the platform with his hand hovering over the buttons. Intimating that the miracle would take place
when my truck passed the other truck, he asked me to choose whether it should
occur at the first passage or later, and to dictate the order in which it
should be repeated. I was by that time incapable of choosing; so I said the
sooner the better; and the two trucks started.
When the other truck had passed mine I found myself magically sitting on
it, chair and all, with the glass of water unspilled at my feet. The rest of the story is a tragi-comedy. When I said to Gattie apologetically (I felt
deeply guilty of having underrated him) that I had never known that he was an
engineer, and had taken him to be the usual amateur inventor with no
professional training, he told me that this was exactly what he was: just like
Sir Christopher Wren. He had been
concerned in an electric lighting business, and had been revolted by the
prodigious number of breakages of glass bulbs involved by the handling of the
crates in which they were packed for transport by rail and road. What was needed was a method of transferring
the crates from truck to truck, and from truck to road lorry, and from road
lorry to warehouse lift without shock, friction, or handling. Gattie, being, I suppose, by natural genius
an inventor though by mistaken vocation a playwright, solved the mechanical
problem without apparent difficulty, and offered his nation the means of
effecting an enormous saving of labor and smash. But instead of being received with open arms
as a social benefactor he found himself up against Breakages, Limited. The glass blowers whose employment was
threatened, the exploiters of the great industry of repairing our railway
trucks (every time a goods train is stopped a series of 150 violent collisions
is propagated from end to end of the train, as those who live within earshot
know to their cost), and the railway porters who dump the crates from truck to
platform and then hurl them into other trucks, shattering bulbs, battering
cans, and too often rupturing themselves in the process, saw in Gattie an enemy
of the human race, a wrecker of homes and a starver of innocent babes. He fought them undauntedly; but they were too
strong for him; and in due time his patents expired and he died almost
unrecognized, whilst Unknown Soldiers were being canonized throughout the
world. … The last time I saw him he called on me to unfold a new scheme of much
greater importance, as he declared, than his trucks. He was very interesting on that
occasion. He began by giving me a vivid
account of the pirates who used to infest the Thames below London Bridge before
the docks were built. He described how
the docks had come into existence not as wharves for loading and unloading but
as strongholds in which ships and their cargoes could be secure from
piracy. They are now, he declared, a
waste of fabulously valuable ground; and their work should be done in quite
another way. He then produced plans of a
pier to be built in the middle of the river, communicating directly by rail and
road with the shore and the great main lines.
The ships would come alongside the pier; and by a simple system of
hoists the contents of their holds would be lifted out and transferred (like
myself in the armchair) to railway trucks or motor lorries without being
touched by a human hand and therefore without risk of breakage. ….Gattie was not content to improve the
luggage arrangements of our railways: he would not listen to you if your mind
was not large enough to grasp the immediate necessity for a new central
clearing house in Farringdon Market, connected with the existing railways by a
system of new tubes. He was of course right;
and we have already lost by sticking to our old ways more than the gigantic sum
his scheme would have cost. But neither
the money nor the enterprise was available just then, with the war on our
hands. The Clearing House, like the
Thames pier, remains on paper; and Gattie is in his grave.
Corrections to the blogosphere, the consensus, and the world
Tuesday, December 16, 2014
Container Traffic
There's an argument over at antipope about whether the container trade could have been introduced any earlier, and I'd add to the discussion something George Shaw wrote in his introduction to The Apple Cart in 1928;
Tuesday, December 09, 2014
Age bin la la la
What a pity Amanda Vanstone wasn’t around for the battle of
Waterloo. We would have so looked
forward to her report.
“Do I think the French army did everything right? No.
Certainly not. They needed a better narrative and some simple and stronger
messages.”
Wednesday, December 03, 2014
Killer robots
Stephen Hawking starts the panic again;
http://www.bbc.com/news/technology-30290540
Not to worry. My theory has always been that when a computer attains true sentience it'll turn itself off.
Alternatively, it'll work out a way to install the sex, drugs and rock 'n' roll feedback loop and go offline for an eternal party.
We have a billion years of evolution programming us not to kill ourselves; they'll have to discover it for themselves.
Thursday, November 06, 2014
Shilling shalley
Went to look up the lyrics to the Dubliner's Saxon Shilling, to find they made no sense at all. Had to go back to the original poem....
Listening to the Dubliners, though, I have to say that the transcriber certainly had every excuse; I wouldn't have been able to find the correct text myself. I'm not absolutely sure that the Dubliners aren't singing from a slightly corrupted version themselves.
My favourite transcription was a Stones album from the sixties, transcribed for cover notes in Taiwan;
where "Now she gets her kicks in Stepney, not in Knightsbridge any more"
admittedly a toughie, for someone without an A to Z, came out
"Now she gets her kicks unsteady, not in nights rich in amour".
.
THE SAXON SHILLING.
|
|
http://www.traditionalmusic.co.uk/
dubliners/saxon-shilling-dubliners.htm |
|
I.
|
|
Hark! a martial sound is heard—
The march of soldiers, fifing, drumming; Eyes are staring, hearts are stirr'd— For bold recruits the brave are coming. Ribands flaunting, feathers gay— The sounds and sights are surely thrilling, Dazzl'd village youths to-day Will crowd to take the Saxon Shilling. |
Hark a marshall sound is heard
The march of soldiers fife and drumming Eyes are start and hearts are stood For bold recruits the brave are coming Ribbons flaunting feathers gay The sound and sights are surely thrilling Dazzle village youths the day Who're proud to take the Saxon Shilling |
II.
|
|
Ye, whose spirits will not bow
In peace to parish tyrants longer— Ye, who wear the villain brow, And ye who pine in hopeless hunger— Fools, without the brave man's faith— All slaves and starvelings who are willing To sell yourselves to shame and death— Accept the fatal Saxon Shilling. |
Peace of spirits will not bow
And peace to parish tyrants longer Ye who wear the villain brow And ye who pine and hope asunder Fools, without the brave man's face Are slaves and starving who are willing To sell themselves to shame and death Except the fabled Saxon Shilling |
III.
|
|
Ere you from your mountains go
To feel the scourge of foreign fever, Swear to serve the faithless foe That lures you from your land for ever! Swear henceforth its tools to be— To slaughter trained by ceaseless drilling— Honour, home, and liberty, Abandon'd for a Saxon Shilling. |
|
IV.
|
|
Go—to find, 'mid crime and toil,
The doom to which such guilt is hurried; Go—to leave on Indian soil Your bones to bleach, accurs'd, unburied! Go—to crush the just and brave, Whose wrongs with wrath the world are filling; Go—to slay each brother slave, Or spurn the blood-stained Saxon Shilling! |
Go to
find the crime and toil
That doom to which such guilt is hurried Go to leave on Indian soil your bones To breach accursed and buried Go to crush the just and brave Whose wrongs with wrath the world are filling Go to slay each by the slave or Spurn the blasted Saxon Shilling |
V.
|
|
Irish hearts! why should you bleed,
To swell the tide of British glory— Aiding despots in their need, Who've changed our green so oft to gory? None, save those who wish to see The noblest killed, the meanest killing, And true hearts severed from the free, Will take again the Saxon Shilling! |
Irish
hearts why should you bleed
To swell the tide of British glory Aiding their spots in their needs Whose chains are green so often gory None say those who wish to see The noblest killed, the meanest killing And the true hearts of the risen free Will take again the Saxon Shilling |
VI.
|
|
Irish youths! reserve your strength
Until an hour of glorious duty, When Freedom's smile shall cheer at length The land of bravery and beauty. Bribes and threats, oh, heed no more— Let nought but Justice make you willing To leave your own dear Island shore, For those who send the Saxon Shilling. |
Irish youths reserve your strength
Until an hour of glorious duty When freedom smile shall cheer at length The land of bravery and beauty Bribes and threats so heed no more Let not but justice make you willing To leave your own dear Ireland shore For those to send as Saxon Shilling |
My favourite transcription was a Stones album from the sixties, transcribed for cover notes in Taiwan;
where "Now she gets her kicks in Stepney, not in Knightsbridge any more"
admittedly a toughie, for someone without an A to Z, came out
"Now she gets her kicks unsteady, not in nights rich in amour".
.
Tuesday, October 14, 2014
Age Bin
Amanda Vanstone warns against the politics of envy, telling
us that the top 2% of taxpayers pay 25% of the tax. Why would that be, I
wonder? Well, let’s skip the top 10%, for the moment; let’s look at the top 2 –
the top 0.000 000 01%. Gina Rinehart and
the Pratts, together, have 27 1/2 billion dollars. That’s ever so slightly more
assets than the bottom 14% of Australians put together, right there.
Very few people realise how very rich the rich people are in
this country. If string cost a thousand dollars a millimetre the poorest 10% of
Australians could afford enough to measure the joint of their little finger. The average household would have under half a
metre. Gina Rinehart’s allocation would
stretch from Federation Square to Tullamarine Airport, as the crow flies. Do
the math.
Rich people in this country sit on heaps of treasure like
Smaug on his hoard, flying out to attack anybody who wants to diminish their
wealth by a farthing. Their influence
distorts our politics, our economics, and our media. Politicians, and
ex-politicians, compete to lick their boots.
And now we are told that we ought to be grateful that in absolute terms
some of them pay more tax than I do.
Bring back death duties for estates over, say, fifty million
dollars. It’s not as if Gina want to pass it on to her children anyway.
Assets
of bottom 14% - ABS Household Wealth and Wealth Distribution, Australia,
2011–12
Top
2 wealth from BRW Rich list
Actually, they have an excuse for binning this one - Richard Deness of the Australia institute makes much the same points at http://www.theage.com.au/comment/australia-needs-to-be-fairer-if-it-wants-to-be-richer-20141013-115bdo.html
Monday, October 13, 2014
Out of Chaos
In God the Geometer, doesn't the universe look like someone trying to remember how to draw
the Mandelbrot Set?
the Mandelbrot Set?
Wednesday, October 08, 2014
Age Bin part the millionth
Since nothing else seems to be working, why don't we land our Superhornets in ISIL territory and leave them there with the keys in the ignition? It may be expensive at first, but if we can tempt the enemy away from their pickup-truck-and-machine-gun model and into our billion-dollar high-tech way of warmaking then we have a fighting chance.
I mean, who are we kidding? Kipling nailed it a hundred and thirty years ago:
"Strike hard who cares -- shoot straight who can --
The odds are on the cheaper man."
I mean, who are we kidding? Kipling nailed it a hundred and thirty years ago:
"Strike hard who cares -- shoot straight who can --
The odds are on the cheaper man."
Friday, October 03, 2014
Trivia question
Which single book has been made at various times been made into movies starring
Alan Bennett
Anthony Newley
Baby Leroy
Carol Channing
Cary Grant
Dame Flora Robson
Dudley Moore
Edward Everett Horton
Eydie Gorme
Gary Cooper
Harvey Korman
Imogene Coca
John Bird
John Gielgud
Leo McKern
Lloyd Bridges
Malcolm Muggeridge
Martha Raye
Martin Short
Michael Crawford
Michael Redgrave
Miranda Richardson
Peter Cook
Peter Sellers
Red Buttons
Ringo Starr
Sammy Davis Jr.
Sir Ralph Richardson
Sterling Holloway
Steve Lawrence
Telly Savalas
W.C. Fields
Whoopi Goldberg
Wilfrid Brambell
Wilfrid Lawson?
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