A live toad every morning

Corrections to the blogosphere, the consensus, and the world

Wednesday, October 01, 2014

Age bin

Banning the burqa from Parliament House would be a good start, but still leaves far too much scope for male terrorists to disguise themselves as women.  We should accept nothing less than a policy of complete nudity below the waist. 

Some might suggest that certain groups might have religiously based objections to this policy, but that boat has surely already sailed.  And been boarded.  And returned to its country of origin.

Friday, September 12, 2014

Age bin

I think the average Australian would have a better idea of what was signified by the various threat levels if the idea was brought more into the mainstream of everyday life - if, for example, it suggested what you should put on when you woke up in the morning.
Threat level one  - White trousers - god's in his heaven and all's right with the world
Threat level two - Black trousers - occasional episodes of pissing yourself with fear, but manageable
Threat level three - Brown trousers - sphincter-disabling terror
Threat level four - Nothing - running naked through the streets howling and envying the dead
It's disability-friendly, too, in that the blind could navigate the whole system simply by smell.

Tuesday, June 24, 2014

From Crooked Timber

The fundamental fallacy implicitly accepted by nearly all comments above is that external powers intervening in a nation’s affairs can design the outcomes they wish to see. The only choice interveners have is the side that they back from among the genuine contenders. After that, if you succeed you get the kind of state that your proxies want, and if you lose you get the kind of state that your proxies’ adversaries want. If you stay out, you can’t influence which side wins. But you can’t invent a side (incidentally, have you noticed that Chalabi’s back on the news?), and you can’t really modify a side, because the only sanction you have is to move to one of the other sides that you’ve already decided are even less desirable.

Monday, June 23, 2014

Lear cheer

Went to the Simon Russell Beale Nat Theatre Lear at the Nova.  The best Lear I've ever seen, in that it didn't try for pathos, made no bones about Lear being a horrible person at every point of the play, and had Lear kill the fool himself. Beale's invocation of clinical dementia was masterly - that hand crooked behind his back, the alternation between whining and shouting - and the battle/devastation scenes underlined how idiotic it was for Lear to split the kingdom.  When I have a chance I will write a short Lear from the point of view of the King of France, who really does seem to have a keen eye to the main chance.

Hogwarts chapel

That was another of the unlikely things about Hogwarts; there didn't seem to be any religious observance.  By which I don't mean that it should be denominational (Anglican, one might guess) but that wizardry seemed to be entirely secular - no higher unearthly power, no Hecate even as a personification.  This might be a way of taking, so to speak, the curse off the notion of pacts with the devil, but it's still hard to envisage a world that contains wizardry but not the supernatural.

Wednesday, May 28, 2014

Sink the B again

I wondered why a Yank C&W singer would hymn an encounter that happened before the US entered the war, and there is in fact a reason:
"Sink the Bismark" (later "Sink the Bismarck") is a novelty song, written by country music singer Johnny Horton and Tillman Franks, based on the pursuit and eventual sinking of the German battleship Bismarck in May 1941, during World War II. Horton released this song in 1960, where it reached #3 on the charts. As originally released the record label used the common misspelling "Bismark", this was corrected for later releases of the song. It was inspired by the 1960 movie Sink the Bismarck! and was in fact (with the English producer John Brabourne's approval) commissioned from Johnny Horton by 20th Century Fox who were worried about the subject's relative obscurity. While the song was used in U.S. theater trailers for the film, it was not used in the film itself.

Sink the Bismarck

In May of nineteen forty-one the war had just begun
The Germans had the biggest ship that had the biggest guns
The Bismark was the fastest ship that ever sailed the seas
On her deck were guns as big as steers and shells as big as trees
Out of the cold and foggy night came the British ship the Hood
And evry British seaman, he knew and understood
They had to sink the Bismark, the terror of the sea
Stop those guns as big as steers and those shells as big as trees
We'll find that German battleship thats makin' such a fuss
We gotta sink the Bismark 'cause the world depends on us
Hit the decks a-runnin' boys and spin those guns around
When we find the Bismark we gotta cut her down

Surely, though, that should be  "On her deck were shells as big as steers and guns as big as trees"?
(Most) trees are larger than steers, all guns are bigger than shells.

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