Corrections to the blogosphere, the consensus, and the world

Thursday, May 03, 2007

#00

Saw 300. Facist aesthetics, of course, SS officer views, but the irritating bits were the sentimental ones - Leonidas is made into a good spartan by beatings, but Leonidas as hero cannot strike his own child; Spartans know no mercy, but when they see what the enemy has done they cry "Do they have no mercy?"
And why was Leonidas, and only Leonidas, speaking in a Scots accent? In Alexander that was a consistent attempt to show the macedonians as northern semibarbarians; here it was more Groundkeeper Willie. Talking of willies.

It looked extremely rocky for the Theban Band that day
The odds were one to fifty with more Persians on the way.
So when Themist’cles fumbled, and Euanetus too,
An air of sadness fell upon that bare-assed hoplite crew.
A scattered few got up to go attend the Olympic Games
Another few decided that they’d try their luck with dames.
When to that Attic army came the news that cured dismay:
King Leonidas’ Spartans had come to join the fray.
They had no place for cowards and they had no use for c***:
Three hundred Spartan willies were advancing to the front.
(James D. Macdonald)

And they kicked out the hunchback because he couldn't hold his place in line, and then spent nearly all their fighting time out of line because that was more photogenic. Irritating, too, that for a film called 300 they couldn't handle 300 men - they had to fight in a canyon about ten men wide, making it 30 men deep, or 120 with the allies, the director (or Miller) couldn't handle massed shots.

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