I pondered all these things, and how men fight and lose the battle, and the thing that they fought for comes about in spite of their defeat, and when it comes turns out not to be what they meant, and other men have to fight for what they meant under another name.
Corrections to the blogosphere, the consensus, and the world
Thursday, January 29, 2015
Wednesday, January 28, 2015
Ooh, like that
"It's not necessary to hope in order to persevere. It's the motto of William of Orange..."
or
"One need not hope in order to undertake, nor succeed in order to persevere."
or
"Hope is not necessary to engagement, [...] nor success to perseverance."
or
“I can undertake and persevere even without hope of success"
and at last
"the motto ascribed (probably incorrectly, according to historians) to the House of Orange in its seemingly endless and hopeless 100 year struggle for independence from Spain: “It is not necessary to hope in order to persevere.”
Whatever. Fun, tho.
or
"One need not hope in order to undertake, nor succeed in order to persevere."
or
"Hope is not necessary to engagement, [...] nor success to perseverance."
or
“I can undertake and persevere even without hope of success"
and at last
"the motto ascribed (probably incorrectly, according to historians) to the House of Orange in its seemingly endless and hopeless 100 year struggle for independence from Spain: “It is not necessary to hope in order to persevere.”
Whatever. Fun, tho.
Monday, January 19, 2015
A streetcar named disappointment
Saw the National Theatre film of Streetcar, with Gillian Anderson.
To begin with something not at all her fault, she's too big for the role of Blanche. When she's fighting with Stanley, I'd give her odds.
And too old - or at least her sister was too young; you couldn't really bring them together under the same roof as children, chronologically.
Other difficulties were to do with the updating to the present day. They didn't have a feel for the shifts in class labelling. The most striking example was that during the poker games Stanley and his mates were drinking light beer. And at the end the sixpack that Stanley brought in was imported beer - Heineken. Implausible today; impossible to imagine then. It changes the ambience destructively.
Again, Blanche and her sister had too few common class markings; hard to believe that someone brought up in Blanche's family would wear cutoff shorts, even when a class traitor marrying beneath herself.
And if you update the time, you bring the homosexuality subplot into difficulties; people today would react differently to the crucial revelation.
To begin with something not at all her fault, she's too big for the role of Blanche. When she's fighting with Stanley, I'd give her odds.
And too old - or at least her sister was too young; you couldn't really bring them together under the same roof as children, chronologically.
Other difficulties were to do with the updating to the present day. They didn't have a feel for the shifts in class labelling. The most striking example was that during the poker games Stanley and his mates were drinking light beer. And at the end the sixpack that Stanley brought in was imported beer - Heineken. Implausible today; impossible to imagine then. It changes the ambience destructively.
Again, Blanche and her sister had too few common class markings; hard to believe that someone brought up in Blanche's family would wear cutoff shorts, even when a class traitor marrying beneath herself.
And if you update the time, you bring the homosexuality subplot into difficulties; people today would react differently to the crucial revelation.
Monday, January 12, 2015
Turing Detest
A discussion at The Conversation about the historicity of The Imitation Game.
Unfortunately, the article attacks the wrong inaccuracies.
(spoilers spoilers)
Alexander and Dennison are caricatured as vain and clueless when they weren't, but then everybody else is shown as useless too. The distortions are all in the service of showing Turing as a superman, a saviour who has to do it all by himself with no help at all from any mere mortals.
For example, at the end the film talks of how a handful of codebreakers defeated the Germans and shortened the war, when
1) Bletchley was about 7,000 strong by the end,
2) Breaking code never defeated anybody (the Poles had done it, after all; didn't help them much)
3) The war would have ended roughly on the day it did whatever had happened before that, only it would have ended with an A-Bomb on Berlin rather than one on Hiroshima.
The most irritating thing, for me, because of its implausibility within the movie, was the business with Turing getting 100,000 quid from Churchill to build a computer. Utterly impossible. Once they had cracked the code and built a computer - collectively, not as a magic wand trick by Turing - Turing wrote to Churchill to get more funding for Bletchley, and was successful; but that was after it had been shown that the thing worked. The movie - and how well I know this mindset - demanded that there be a pivotal scene - one scene, not two or three - where
1) the machine worked,
2) the code was cracked, and
3) everyone admits Turing was right -
and that's impossible; until the code was cracked, you couldn't justify a machine.
Again, in the film the machine's breakthrough comes when a girl in the pub tells Turing that the Germans are sometimes less than rigorous in their procedures; when in fact that was exactly how the Poles broke it, and how the early codebreakers broke it, and how (see above) the codebreakers justified their call for a machine to speed it up.
Other than pedantry, why does this matter? Because it fuels the Great Man/superhero delusion, where one person can make a critical difference and you don't need millions of soldiers to fight and die. When, in fact, you often do.
Unfortunately, the article attacks the wrong inaccuracies.
(spoilers spoilers)
Alexander and Dennison are caricatured as vain and clueless when they weren't, but then everybody else is shown as useless too. The distortions are all in the service of showing Turing as a superman, a saviour who has to do it all by himself with no help at all from any mere mortals.
For example, at the end the film talks of how a handful of codebreakers defeated the Germans and shortened the war, when
1) Bletchley was about 7,000 strong by the end,
2) Breaking code never defeated anybody (the Poles had done it, after all; didn't help them much)
3) The war would have ended roughly on the day it did whatever had happened before that, only it would have ended with an A-Bomb on Berlin rather than one on Hiroshima.
The most irritating thing, for me, because of its implausibility within the movie, was the business with Turing getting 100,000 quid from Churchill to build a computer. Utterly impossible. Once they had cracked the code and built a computer - collectively, not as a magic wand trick by Turing - Turing wrote to Churchill to get more funding for Bletchley, and was successful; but that was after it had been shown that the thing worked. The movie - and how well I know this mindset - demanded that there be a pivotal scene - one scene, not two or three - where
1) the machine worked,
2) the code was cracked, and
3) everyone admits Turing was right -
and that's impossible; until the code was cracked, you couldn't justify a machine.
Again, in the film the machine's breakthrough comes when a girl in the pub tells Turing that the Germans are sometimes less than rigorous in their procedures; when in fact that was exactly how the Poles broke it, and how the early codebreakers broke it, and how (see above) the codebreakers justified their call for a machine to speed it up.
Other than pedantry, why does this matter? Because it fuels the Great Man/superhero delusion, where one person can make a critical difference and you don't need millions of soldiers to fight and die. When, in fact, you often do.
Tuesday, December 16, 2014
Container Traffic
There's an argument over at antipope about whether the container trade could have been introduced any earlier, and I'd add to the discussion something George Shaw wrote in his introduction to The Apple Cart in 1928;
And
now a word about Breakages, Limited. The title Breakages, Limited, was
suggested to me by the fate of that remarkable genius, the late Alfred Warwick
Gattie…. I consented to investigate the alleged great invention in person on
Gattie's promising to behave like a reasonable being during the process, a
promise which he redeemed with the greatest dignity, remaining silent whilst an
engineer explained his miracles to me, and contenting himself with the reading
of a brief statement shewing that the adoption of his plan would release from
industry enough men to utterly overwhelm the Central Empires with whom we were
then at war. I approached the
investigation very sceptically. Our
friend spoke of "the works." I
could not believe that Gattie had any works, except in his fervid
imagination. He mentioned "the
company." That was more credible: anyone may form a company; but that it
had any resources seemed to me doubtful.
However, I suffered myself to be taken to Battersea; and there, sure
enough, I found a workshop, duly labelled as the premises of The New Transport
Company, Limited, and spacious enough to accommodate a double railway line with
a platform. The affair was
unquestionably real, so far. The
platform was not provided with a station: its sole equipment was a table with a
row of buttons on it for making electrical contacts. Each line of railway had
on it a truck with a steel lid. The
practical part of the proceedings began by placing an armchair on the lid of
one of the trucks and seating me in it.
A brimming glass of water was then set at my feet. I could not imagine what I was expected to do
with the water or what was going to happen; and there was a suggestion of
electrocution about the chair which made me nervous. Gattie then sat down majestically at the
table on the platform with his hand hovering over the buttons. Intimating that the miracle would take place
when my truck passed the other truck, he asked me to choose whether it should
occur at the first passage or later, and to dictate the order in which it
should be repeated. I was by that time incapable of choosing; so I said the
sooner the better; and the two trucks started.
When the other truck had passed mine I found myself magically sitting on
it, chair and all, with the glass of water unspilled at my feet. The rest of the story is a tragi-comedy. When I said to Gattie apologetically (I felt
deeply guilty of having underrated him) that I had never known that he was an
engineer, and had taken him to be the usual amateur inventor with no
professional training, he told me that this was exactly what he was: just like
Sir Christopher Wren. He had been
concerned in an electric lighting business, and had been revolted by the
prodigious number of breakages of glass bulbs involved by the handling of the
crates in which they were packed for transport by rail and road. What was needed was a method of transferring
the crates from truck to truck, and from truck to road lorry, and from road
lorry to warehouse lift without shock, friction, or handling. Gattie, being, I suppose, by natural genius
an inventor though by mistaken vocation a playwright, solved the mechanical
problem without apparent difficulty, and offered his nation the means of
effecting an enormous saving of labor and smash. But instead of being received with open arms
as a social benefactor he found himself up against Breakages, Limited. The glass blowers whose employment was
threatened, the exploiters of the great industry of repairing our railway
trucks (every time a goods train is stopped a series of 150 violent collisions
is propagated from end to end of the train, as those who live within earshot
know to their cost), and the railway porters who dump the crates from truck to
platform and then hurl them into other trucks, shattering bulbs, battering
cans, and too often rupturing themselves in the process, saw in Gattie an enemy
of the human race, a wrecker of homes and a starver of innocent babes. He fought them undauntedly; but they were too
strong for him; and in due time his patents expired and he died almost
unrecognized, whilst Unknown Soldiers were being canonized throughout the
world. … The last time I saw him he called on me to unfold a new scheme of much
greater importance, as he declared, than his trucks. He was very interesting on that
occasion. He began by giving me a vivid
account of the pirates who used to infest the Thames below London Bridge before
the docks were built. He described how
the docks had come into existence not as wharves for loading and unloading but
as strongholds in which ships and their cargoes could be secure from
piracy. They are now, he declared, a
waste of fabulously valuable ground; and their work should be done in quite
another way. He then produced plans of a
pier to be built in the middle of the river, communicating directly by rail and
road with the shore and the great main lines.
The ships would come alongside the pier; and by a simple system of
hoists the contents of their holds would be lifted out and transferred (like
myself in the armchair) to railway trucks or motor lorries without being
touched by a human hand and therefore without risk of breakage. ….Gattie was not content to improve the
luggage arrangements of our railways: he would not listen to you if your mind
was not large enough to grasp the immediate necessity for a new central
clearing house in Farringdon Market, connected with the existing railways by a
system of new tubes. He was of course right;
and we have already lost by sticking to our old ways more than the gigantic sum
his scheme would have cost. But neither
the money nor the enterprise was available just then, with the war on our
hands. The Clearing House, like the
Thames pier, remains on paper; and Gattie is in his grave.
Tuesday, December 09, 2014
Age bin la la la
What a pity Amanda Vanstone wasn’t around for the battle of
Waterloo. We would have so looked
forward to her report.
“Do I think the French army did everything right? No.
Certainly not. They needed a better narrative and some simple and stronger
messages.”
Wednesday, December 03, 2014
Killer robots
Stephen Hawking starts the panic again;
http://www.bbc.com/news/technology-30290540
Not to worry. My theory has always been that when a computer attains true sentience it'll turn itself off.
Alternatively, it'll work out a way to install the sex, drugs and rock 'n' roll feedback loop and go offline for an eternal party.
We have a billion years of evolution programming us not to kill ourselves; they'll have to discover it for themselves.
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